a pilgrimage and a gift

by Justine on May 22, 2013

in my photography,table top,wood

On a recent visit to San Francisco, Al surprised me with a trip to what turned out to be a culinary experience of a lifetime at State Bird Provisions. As reservations were not to be had on such short notice, we arrived at the early hour of 5pm seeking two of the coveted 16 bar seats granted on a first-come-first-served basis. The restaurant didn’t open until 5:30, so we had plenty of time to meet the other eager diners in line.

The young, sharply dressed man in front of us had come from LA. Polite conversation revealed that he had dined at many of the country’s best restaurants, so often that he referred to all the chefs by first name. “Oh, so you’re, like, a foodie,” I offered. He winced. “I hate that term,” he explained as patiently as possible given that I had just deeply offended him. “It implies that one is in it as much for the scene as for the food, that your interest is merely trendy, or trite.” I understood. “Oh, so you’re more like a pilgrim,” I stated. “Yes!” he agreed. And as he savored his new moniker, I went on. “I just made a pilgrimage to buy a wooden spoon.” He laughed. I could tell he could relate.

The grail that inspired my quest was one of Josh Vogel’s hand carved spoons, which I knew were available only at the Bay City’s MARCH. Thus Al and I trekked there on my first day, where I secured one of the last of Josh’s limited edition “sculptural cooking tools.” It was a lot to pay for a spoon, but it’s really more of a piece of art… that you use, and I like that. I love the combination of grace and wonkiness of Josh’s irregular carvings. The spoon is beautifully balanced in the hand and as smooth to the touch as baby’s skin. My Blackcreek Mercantile spoon has now earned a place over my new sink. There it brings me joy on a daily basis.

And now it has friends.

Arriving home, happy with new spoon in hand, I found waiting for me a mysterious package sent via Royale Mail. Inside were three exquisite bone spoons from Africa, a gift from Kirsten Hecktermann, another spoon guru that I worship. These, too, are graceful and lithe both in form and finish. The white faces are cool and pristine, but also warm to the touch. These cherished items now sit next to Josh’s spoon, propped in glass my husband gave me.

If you ever wonder why there is such a boom in design these days, you need look no further than objects like these lovely spoons, and be cognizant of the joy they inspire. Such simple things, possessed of the power to transcend. They are literally “full of grace.”

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solvi at dusk

by Justine on May 22, 2013

in kids,my photography

As the day winds down, Solvi contemplates the vast and colorful sky from a her cosy bed of green grass and white violets…

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experimenting with my new lens…

by Justine on May 15, 2013

in kids,my photography

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new adventures begin

by Justine on May 13, 2013

in kids,my photography,Our House

birthday balloons

Exciting things happening at my house this week. First I started my Eyes Wide Open photo course with Erin from Blue Bird Baby. An aptly named class, I must say, as my eyes have already been opened so much in just the first week. Now that I know a bit more about how to use my camera, I’m shooting everything in manual mode, and enjoying my increased creative freedom. Now, off to buy a new, more light sensitive, lens.

birthday girl

cupcake bouquet

fairy tag

tulip

birthday kiss

Oh, and the other exciting thing? Two elves have arrived to turn this bit of orange-overload into something magical. More soon….

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coming home

by Justine on May 7, 2013

in Our Cottage

Salt Timber cottage looking into the butler’s pantry

Every year, as soon as the first hint of green breaks through the frosty ground, the kids ask me, “When are we going to the cottage?!” I can hardly blame them, since I share their impatient sentiments to arrive at the place that more than any other feels like home. Finally, after an unseasonably cold spring, that much anticipate event happened this past weekend.

Salt Timber is really a humble, little Cape with a bit of a water view. It has few modern amenities – no dishwasher or AC, and resting almost directly on the ground, it is prone to mildew and all kinds of creepy crawlies. The paint begins to peal right after you apply it, and there isn’t a straight line anywhere. But still, Salt Timber is magic.

Mostly it’s the light, Salt Timber’s rooms are bathed in it. Her small stature means that the rays from the morning, as well as the setting, sun pour through the windows and doors throughout the day. The intimate rooms are so cozy they seem to cradle you, especially the dining room and Solvi’s room, which have curved ceilings, or my bedroom where we sleep tucked under the eaves. Full of historic detail: paneling, fire place mantels, and claw foot tubs, as well as regional accents like splatter painted floors, Salt Timber’s Cape Cod character is palpable. And then there is the kitchen: yellow as a sunflower with black beams, it opens on all sides to let the sea air pass through. Especially when the roses cover the front porch, Salt Timber feels like a doll house, a faerie realm.

Clearly, I love this house. It is full of tradition: picking berries out back and making raspberry pancakes with the kids, Al’s pasta and cocktails, Chad’s guac, and annual visits from friends. Every day it inspires me with its light or details or the company within its walls. I photograph it (like these few I shot this weekend), and festoon it with garden flowers. I rearrange it constantly as the summer’s souvenirs – robin eggs, beach stones, yard sale finds – trickle in. Salt Timber is my muse. It is an integral part of my family’s history. It is me.

And remember how I disappeared last summer because I was preparing for a big photo shoot? Salt Timber was indeed included in Remodelista‘s upcoming book. So look for the full tour of Salt Timber, as well as other amazing houses (like my Aunt Sheila’s), on bookstands next fall.

Solvi playing in front of the fire in the dining room.

From opening week until we say goodnight to Salt Timber in the fall, this corner of the downstairs bathroom is never without garden flowers. Quince is blooming now. You can see more of my bouquets here, here, and here

Ahead of the apple by a couple weeks, the pear tree is starting to bloom.

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little princess

by Justine on May 3, 2013

in kids,my photography

In a couple of days, Solvi will turn 5. In celebration I bought a very special gift made by Alessandra for Solvi’s mouse. And to top it off, a little golden crown fashioned by Moi. The body is actually a repurposed wee, cupcake holder from Martha Stewart’s American Made Show. Honoree Angela Liguori had the foresight to save several of these delicate, laser-cut papers. And she was generous enough to bestow one upon me when I admired it in her studio. I knew then that it would become a tiara for one of Solvi’s dolls. But how to add the requisite bling without obscuring the gossamer lattice? A little gold glitter applied to the inside did the trick. And now it glows from within. Just like my little girl.

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Ever wonder if the things you covet in blogs are really as good in person? I know I’ve sometimes been disappointed by either the quality or execution of something I ordered, that was not as I hoped or expected.

Not so with Mr. Finch. Believe it or not, his work is even better in person!

Pictured here is a sleeping fox that Finch made as a birthday present for my aunt Jessie, whose characterful menagerie you may remember here. I can’t say enough about this work. It is stunning and evocative on so many levels. It is expressive from every angle, from his rounded haunches to his tucked-up paws. He is sweet and vulnerable in his fetal position, like a baby cradled in the blanket of his protective parents. And yet, his clever eyes and ever-alert ears reveal that he is still a wild animal, full of natural impulses, innocent, but still untamed by the temperance of adulthood. Though small he is an archetype for something much larger. The painted stars on his legs speak of a future as limitless as the universe, yet also as intangible, not for us to control. He is a totem of potential. A weaver of dreams.

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tea pot via plantkui

Feeling under the weather today, and find myself gravitating to quiet places. Gentle curves. Tactile, soothing. Dark, dappled warmth. Pleasing to the touch, yet not too much of a strain on weary eyes.

Vilhelm Hammershøi, portrait of Anna Hammershøi, 1884

Oliver in the morning sun, by me

molding clay via Herriott Grace

wisteria by Xenia

a rock, by me

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Botanic Collection No.2 – Fine Art Photograph – Composition II – The Tempo of Life No.1

I arrived home from my California vacation last week to find Boston abloom with spring. Up high, clouds of apple green buds brushed the tree tops. While a blush of petal pink cherry blossoms and fuschia azaleas candied the middle ground. And everywhere down low, the sunny faces of daffodils shone on the vernal landscaped.

To celebrate, I thought I’d share with you the botanical images of artist Ing San of Tropical Garden. A graphic and textile designer from Borneo, San’s work includes photography and illustration as well as embroidery. But it is her Botanic Collection that, to me, captures the simple beauty of spring.

Unlike the decadent colors and ostentatious heat of summer, spring is a crisp, clean time. San’s portraits, in which only a few verdant leaves burst forth against a minimal white backdrop, evoke this literal “re-freshening” of the land and spirit. Delicate, yet expressive, they are precious promises of the bounty to come. Microcosm’s of a larger spring landscape, where after a long barren winter, just one lone sprout or a single leaf is enough to warm the heart.

Botanic Collection No.2 – Fine Art Photograph – Composition I – Green Melody No.1

Botanic Collection No.2 – Fine Art Photograph – Composition II – The Tempo of Life No.3

Botanic Collection No.2 – Fine Art Photograph – Composition I – Green Melody No.2

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lab 71

by Justine on April 18, 2013

in linens,painting, photography, posters, prints

Concept, design, styling, photography by Frieda Mellema = Lab 71, a place of beauty and inspiration, where you can also shop (my favorite kind).

Found via Facebook, the photographs of Frieda Mellema are instantly captivating. Delicate, light, and feminine, they have a wonderful sense of movement. Richly storied, they possess an air of everyday fantasy, that seems to celebrate the joy and adventure in even the smallest thing. Intimate, they draw you in, like a whispered conversion between friends.

The individual goods in Frieda’s shop also have a deeply personal, whimsical feel. They are mini treasures handmade for only you. (I myself am coveting her jolly tablecloths with bouncing orange orbs.)

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